Philip Mix

The Chemainus Theatre would like to welcome local artist Philip Mix as our featured artist during our run of Silent Sky. Philip has a prolific career both as an artist and an art conservation professional. His work is featured all over Canada and he works to seek the ‘elegance of simplicity’.

Philip’s artist statement is that his paintings are intentionally spare and dispassionate. “My desire is to produce an artwork that is beautiful for its singleness of purity and purpose: the elegance of simplicity. I choose subjects whose form or function lends itself to the discovery of some intrinsic beauty; a beauty that becomes intriguing once the inherent grace of its form has been recognized and captured.”

Philip Mix was born in Edmonton Alberta in 1955. He received his Bachelor of Arts in painting from the Alberta College of Art, Calgary in1980. His paintings have shown in several Canadian galleries and abroad including London, Israel and Cyprus. He operated a conservation studio, Fine Art Restoration, in Victoria B.C. from 1986 to 2011. During that time he was a member of the Pacific Conservation Group, and Canadian Conservation Associates. Now retired from paintings conservation, he lives in Chemainus, BC and devotes all his energy to his family, his studio, and an uncooperative garden.

We are thrilled to feature his work in the Chemainus Theatre and we invite you to attend an Artist Meet and Greet on October 14th between 5 and 6 pm. For more information on Philip you can visit his website at www.philipmix.com.

Declan O’Reilly, Kirk Smith, Colin A Doyle in Jeeves Takes a Bow, Chemainus Theatre Festival, 2017. Photo by Cim MacDonald

On Vancouver Island, as everywhere, small talk always leads to the weather. As gardens are prepared for the winter, rainproof coats are pulled out of storage, and woodstoves are fired up we prepare for a change in the sky and in lifestyle. But we can all agree that it is wonderful to escape somewhere warm and cozy and be taken away to another world and time – the theatre is the perfect solution.

The Chemainus Theatre Festival is currently halfway through our run of “Jeeves Takes a Bow” and theatregoers are enjoying this show in droves! There is nothing better than a laugh shared with a big group of strangers. Adapted by Margaret Raether the stories of the hero-butler Jeeves and the charming and feckless Bernie Wooster were originally written by P.G. Wodehouse (1975). Wodehouse is considered a master of the serial novel, king of the magazine story, and supremely skilled in comedic writing. In this tale, Wooster and Jeeves have escaped their upper-class Edwardian frivolity and landed in the Big Apple, Manhattan, NY. How will they cope? Amusingly well! The ‘Traveling Islanders’ blog says “You definitely won’t want to miss Jeeves Takes A Bow.” We hope you will escape with us as we once again spend an afternoon or evening with a madcap tale told by a talented crew of actors! What could be better?

Love is the perfect theme for this summer feature, Talley’s Folly, playing August 16th to 26th. The Pulitzer Prize-winning and the New York Drama Critics’ Circle Award as best play of the season, the romantic comedy, by Lanford Wilson, follows unlikely sweethearts, Matt and Sally, as they try to (once and for all) settle their feelings for each other.

The scene is the ornate, deserted Victorian boathouse on the Talley place in Lebanon, Missouri; the time 1944. Matt Friedman (played by Matthew Payne), has arrived to plead his love to Sally Talley (Heather Pattengale), the susceptible but uncertain daughter of the family. Bookish, erudite, totally honest, and delightfully funny, Matt refuses to accept Sally’s rebuffs and her fears that her family would never approve of their marriage. Charming and indomitable, he gradually overcomes her defenses, telling his innermost secrets to his loved one and, in return, learning hers as well. Gradually he awakens Sally to the possibilities of a life together.

“Everything is beautiful ruined in this play,” says director, Amiel Gladstone. “The old crumbling boathouse, post-War America, and two characters struggling with who they are and who they can be together. It’s an honour to come to Chemainus for the first time to direct the first play the company every produced.”

Talley’s Folly is a special presentation for The Chemainus Theatre Festival’s 25th Anniversary Season. Tickets are available for matinee and evening shows for two weeks only, August 16th to 26th. Call the Box Office at 1-800-565-7738, or visit chemainustheatre.ca.

Melissa Young

The Lion, the Witch, and the Wardrobe is an epic story about good overcoming evil. It is a story that allows us to open up our imaginations and dream of possibilities beyond our existence. Yet at the heart of this piece are four children who are growing up—transforming from youth with simple, egocentric concerns, into young adults who gain confidence, understand responsibility, and learn about forgiveness and caring for others during their time in Narnia.

It is significant for me to be directing this timeless story at Chemainus Theatre during their 25th Anniversary season. It was here, 14 years ago, I received my first professional contract and played the roles of Lucy and the White Witch in the Lion, the Witch and the Wardrobe. It was at Chemainus that I had the opportunity to grow, mature, and hone my own skills as an artist. In a sense, this theatre is a place where I “grew up” as an artist.

I’m really interested and inspired by the idea of play. As a little girl, my favorite memories were of playing games such as “house,” “supermarket,” “radio station,” and various others that I devised with my brother, cousins, and friends. We would use whatever we had on hand to create these worlds—whether it was my Mom’s clothing, my grandmother’s jewelry and hats, or my parent’s old records (yes, we even had a sound design.) In this day and age, as I see students become less engaged in play and more engaged with their phones, the importance of play in our lives becomes increasingly evident to me.

With this production of The Lion, the Witch and the Wardrobe, I really wanted to get back to the simple idea of play—asking the actors and the audience to engage their imaginations, as opposed to their iphones. I wanted this production to mirror children really playing out the story with whatever is readily available to them—whether it be an old umbrella, a scrap of material, or even their own bodies. How can a long piece of cloth become a cape, a river, and a tent? Could we use our bodies to become animal statues, trees, and even the wind? How can we use a drumbeat to tell the story of a great battle? To me, the immense power of childhood imagination, that ability to turn the most ordinary of things into something completely different is what I love about theatre.

And so the cycle of learning and growing continues. Whether you are young or old, I hope you enjoy our imaginative journey through childhood via Narnia.

By Melissa Young